Sennelier L’ebauche Drawing Pads 70gsm

Untitled-15A range of ring bound drawing pads designed for studies and drafting work. Soft off white paper with light grain, acid free.

Available in 6×6″, 10×10″, 8×12″ and 12×16.5″.

Sennelier Le Bauche Drawing Paper 70gsm

Untitled-15A range designed for studies and drafting work. Soft off white paper with light grain, acid free.

Graph Paper Pads

Untitled-23Graph Paper is popular for designing, drawing, pattern making, etc. Non-reproducing blue lines.

Available in 2mm or 5mm squares, in A4 and A3.

Zeta Paper Pads

Untitled-23Ideal for both rough drawings and finished compositions. Suitable for pencil, pen, and marker. Bleedproof.

Available in A4, A3 and A2.

Tracing Paper Pads 110gsm

Untitled-23This professional-quality, highly transparent tracing paper has a fine, smooth, hard surface that makes it excellent for tracing and visualizing with pencils, markers, or ink.

Available in A4 and A3.

Vellum A2

Untitled-23Known for its versatility, Vellum works great with card making, collages, scrapbooking and home décor items. Each sheet is translucent, acid free and ideal for journaling, layering and combining with your other paper craft favorites.

Drafting Film

Untitled-23Drafting film is suitable for pen and pencil drawing; it is durable, able to withstand extensive revisions and changes. Drafting film is dimensionally stable and unaffected by temperature and humidity, and feature excellent transparency and flatness.

Available in A3 and A2.

Fabriano Accademia Drawing Pads

Untitled-14Fabriano Accademia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservatione over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards.

Its internal and external sizing renders it resistant to repeated erasures.

It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.

120gsm available in A5, A4, A3 and A2.

200gsm available in A4, A3 and A2.

Sadipal Cartulina Coloured Card 200gsm

Untitled-18Cartulina is a pulp-dyed cardboard. This paper pulp colouring process achieves more uniform, long-lasting colours than on printed paper. It is also highly resistant to discolouring by light or water. It has been whitened without chlorine, is acid free, free of heavy metals and the pulp is sourced from FSC forests.

Its composition makes it ideal for crafts, artwork, origami, modelling and can also be used for painting and watercolours. It is also suitable for use with inkjet and laser printers.

Available in a range of 30 brilliant colours in 50x65cm size and 20 colours in A4.

Canson C’ a Grain Drawing Paper 224gsm 50x56cm

Untitled-19This white, French-made, medium textured paper erases well and is an ideal foundation for both broad and fine-point media. Use it with pencil, colored pencil, charcoal, pen, and ink.

Tenax Handmade Papers 70-220gsm

Untitled-20I make hand made papers, here in New Zealand. I love the process, though cold snaps in winter can make things challenging. My primary fibre of choice is harvested from New Zealand Flax (Harakeke or Phormium Tenax). What a majestic plant.

I have concerns about what we are doing to the world globally. We ‘harvest’ almost 800 million tonnes of trees anually across the globe to produce between 350-400 million tonnes of paper and board, 25% of which is used for packaging. Some of this forestry is sustainably managed, certainly not all, and probably not enough.

As many papermakers will tell you, paper can be made from many sources of cellulose fibre. Incredibly hundreds of millions of tonnes of cellulose fibre is disposed of in agriculture every year. Why grow a forest to harvest, when there are alternative sources which is considered agriwaste?

Harakeke is a native plant of New Zealand, it has been grown in a few other countries, but it is available in abundance here.

Available in a multitude of fibres, colours and weights.

Fabriano Tiziano Drawing/Pastel Paper 160gsm

Untitled-14You’ll see and feel the difference as your pastels bite into the extraordinarily toothy surface of this pastel, charcoal, and pencil drawing paper. Available in White and more than 30 delicious colors, it features a grain that runs parallel to the long side.

Acid-free. 40% cotton.

Available in A4 and 50x65cm.

Stonehenge Printmaking Paper 245gsm 56x76cm

10423-group-3-2ww-mStonehenge is a traditional fine art paper with a smooth, flawless surface that is slightly mottled to resemble actual vellum. Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.

Stonehenge is machine-made in the United States, from 100% cotton fibers. It’s acid-free. Each sheet has two deckle edges.

Available in White and Black.

Fabriano Accademia Drawing Paper Roll 1.4x10m

fabriano rollsFabriano Accademia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservatione over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards.

Its internal and external sizing renders it resistant to repeated erasures.

It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.

Available in 120gsm and 200gsm.

Colourfix Pastel Card

Untitled-1Printed on 300gsm hot press watercolour paper and with its 20 dense, lightfast colours and fine deep tooth, Colourfix™ is a superb substrate for acrylics, inks, silverpoint, oil pastels, gouache, watercolours and dry media such as soft pastels, charcoal and pencils. The natural toothy surface will hold multiple layers of pastel without the need for fixative, allowing the velvet bloom and vibrant colour of pastel to be preserved. Erasing is also easy with Colourfix™ – simply lift off excess pastel with clear adhesive tape, brush off with a dampened or dry brush, or use a pencil eraser. Alternatively, errors can be overpainted or areas touched up with the matching colour of Art Spectrum Colourfix™ Primer. The tough, toothy surface can be sanded, scrubbed, soaked and reworked over and over

Available in A4 and 50x65cm

View the full colour range here.

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