Sennelier L’ebauche Drawing Pads 70gsm

Untitled-15A range of ring bound drawing pads designed for studies and drafting work. Soft off white paper with light grain, acid free.

Available in 6×6″, 10×10″, 8×12″ and 12×16.5″.

Sennelier Le Bauche Drawing Paper 70gsm

Untitled-15A range designed for studies and drafting work. Soft off white paper with light grain, acid free.

Sennelier Pastel Card 360gsm

Untitled-15Sennelier applies finely ground, pH neutral vegetable flakes by hand to a 360gsm, pH neutral board stock, creating a paper that is slightly abrasive, yet has a perfectly smooth and uniform tooth.

This greatly enhances pigment adhesion, so that less fixative is required. It offers an excellent surface for any dry media.

Clairefontaine Bristol Paper 205gsm A3

notemaker-brand-clairefontaine_1Super smooth drawing paper, recommended by the professionals. Suitable for pencil, coloured pencil, charcoal and pen and ink. Bound along top edge, acid free.

Clairefontaine Dessin a Grain Drawing Pads 180gsm

notemaker-brand-clairefontaine_1Medium grain soft white drawing paper. Bound along top edge. Made in France, acid free.

Available in A5, 21x21cm, A4, 29.7×29.7cm and A3.

Fabriano Accademia Drawing Pads

Untitled-14Fabriano Accademia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservatione over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards.

Its internal and external sizing renders it resistant to repeated erasures.

It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.

120gsm available in A5, A4, A3 and A2.

200gsm available in A4, A3 and A2.

Sennelier Pastel Card Pad 360gsm 12 Sheet 16×24″

Untitled-15Rarely are card stock pastel supports available to the artist in a pad. The La Carte pad offers twelve sheets of heavyweight, professional quality paper board with a finely ground coating of cork and vegetable flakes providing a uniform, toothy surface that grabs and holds even the softest pastels.

The pad is top side glue bound for easy sheet removal and includes two sheets each of six assorted neutral colors. Paper is acid-free and lightfast. A beautiful surface for dry media applications.

Sadipal Cartulina Coloured Card 200gsm

Untitled-18Cartulina is a pulp-dyed cardboard. This paper pulp colouring process achieves more uniform, long-lasting colours than on printed paper. It is also highly resistant to discolouring by light or water. It has been whitened without chlorine, is acid free, free of heavy metals and the pulp is sourced from FSC forests.

Its composition makes it ideal for crafts, artwork, origami, modelling and can also be used for painting and watercolours. It is also suitable for use with inkjet and laser printers.

Available in a range of 30 brilliant colours in 50x65cm size and 20 colours in A4.

Canson C’ a Grain Drawing Paper 224gsm 50x56cm

Untitled-19This white, French-made, medium textured paper erases well and is an ideal foundation for both broad and fine-point media. Use it with pencil, colored pencil, charcoal, pen, and ink.

Arches Artist’s Watercolour Pad 15 Sheet

CAN-Arches-Assorted-PadsArches papers aren’t just for watercolors. Use them also for drawing, calligraphy, gouache, printmaking, acrylics, and even digital printing. Manufactured from pure cotton fiber, they are so durable that they will remain beautiful and vibrant for centuries without conservation, if stored and handled properly.

Many artists say they choose Arches because working on an inferior surface just isn’t worth the effort. And no other watercolor paper provides such a huge selection of sizes, surfaces, and formats for creative expression.

This paper is the original Arches, sometimes known as Natural White. The choice of leading watercolorists all over the world, Arches is the product of five centuries of papermaking experience. You can rely on Arches to always be consistent.

Arches watercolor papers are mouldmade in France, with 100% cotton fiber content. They are acid-free, pH-neutral, gelatin-sized, and air-dried.

Available in weights of 185gsm and 300gsm; sizes of A5, A4 and A3 and in Hot Press (smooth), Cold Press/Not Press (some texture) and Rough.

 

Fabriano Rosaspina Printmaking Paper

Untitled-14Rosaspina is a hidden jewel among printmaking papers! It performs as well as 100% rag papers and is excellent for all printmaking techniques.

Its 60% cotton content and lack of external sizing give it a sumptuously soft surface ideal for deep etching and aquatint. It makes for an equally luxurious, upscale drawing paper.

This paper is mould-made with two natural deckled edges.

Available in weights of 220gsm and 285gsm, and in sizes of 50x70cm and 70x100cm.

Tenax Handmade Papers 70-220gsm

Untitled-20I make hand made papers, here in New Zealand. I love the process, though cold snaps in winter can make things challenging. My primary fibre of choice is harvested from New Zealand Flax (Harakeke or Phormium Tenax). What a majestic plant.

I have concerns about what we are doing to the world globally. We ‘harvest’ almost 800 million tonnes of trees anually across the globe to produce between 350-400 million tonnes of paper and board, 25% of which is used for packaging. Some of this forestry is sustainably managed, certainly not all, and probably not enough.

As many papermakers will tell you, paper can be made from many sources of cellulose fibre. Incredibly hundreds of millions of tonnes of cellulose fibre is disposed of in agriculture every year. Why grow a forest to harvest, when there are alternative sources which is considered agriwaste?

Harakeke is a native plant of New Zealand, it has been grown in a few other countries, but it is available in abundance here.

Available in a multitude of fibres, colours and weights.

Fabriano Tiziano Drawing/Pastel Paper 160gsm

Untitled-14You’ll see and feel the difference as your pastels bite into the extraordinarily toothy surface of this pastel, charcoal, and pencil drawing paper. Available in White and more than 30 delicious colors, it features a grain that runs parallel to the long side.

Acid-free. 40% cotton.

Available in A4 and 50x65cm.

Stonehenge Printmaking Paper 245gsm 56x76cm

10423-group-3-2ww-mStonehenge is a traditional fine art paper with a smooth, flawless surface that is slightly mottled to resemble actual vellum. Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.

Stonehenge is machine-made in the United States, from 100% cotton fibers. It’s acid-free. Each sheet has two deckle edges.

Available in White and Black.

Fabriano Tiepolo Printmaking Paper 290gsm

Untitled-14Exceptionally strong and versatile, Fabriano Tiepolo Printmaking Paper withstands the wear and tear of rigorous techniques.

Featuring a traditional Italian soft white color, this 100% cotton, mouldmade,acid-free paper has four deckle edges and a beautiful watermark. Its particularly smooth surface excels when used for printmaking techniques, silkscreening, embossing, and even digital printing.

Fabriano Tiepolo Printmaking Paper is also great for drawing, for loose watercolor washes, and for use with other fine art media.

Available in 56x76cm and 70x100cm.

Fabriano Accademia Drawing Paper

Untitled-14Fabriano Accademia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long term archival qualities over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards.

Its internal and external sizing renders it resistant to repeated erasures.

It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200gsm version is also suitable for gouache.

Available in 120gsm in 50x65cm, and in 200gsm in A3, 50×65 and 70×100.

Fabriano Accademia Drawing Paper Roll 1.4x10m

fabriano rollsFabriano Accademia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservatione over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards.

Its internal and external sizing renders it resistant to repeated erasures.

It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.

Available in 120gsm and 200gsm.

Colourfix Pastel Card

Untitled-1Printed on 300gsm hot press watercolour paper and with its 20 dense, lightfast colours and fine deep tooth, Colourfix™ is a superb substrate for acrylics, inks, silverpoint, oil pastels, gouache, watercolours and dry media such as soft pastels, charcoal and pencils. The natural toothy surface will hold multiple layers of pastel without the need for fixative, allowing the velvet bloom and vibrant colour of pastel to be preserved. Erasing is also easy with Colourfix™ – simply lift off excess pastel with clear adhesive tape, brush off with a dampened or dry brush, or use a pencil eraser. Alternatively, errors can be overpainted or areas touched up with the matching colour of Art Spectrum Colourfix™ Primer. The tough, toothy surface can be sanded, scrubbed, soaked and reworked over and over

Available in A4 and 50x65cm

View the full colour range here.

Colourfix Plein Air Painting Board 12×16″

colfixb-groupArt Spectrum Colourfix™ Board is a 1160gsm (550lbs) hot press watercolour board, for the artist seeking a flat, rigid work surface that still meets conservation standards: They are ideal for all mediums, including oil paint. The full range of 20 colours is offered in ‘Plein Air Board’, produced in a convenient size for easy framing – the printed area is 30 x 40 cm (12 x 16”) and it will also work well in a 40 x 50cm (16 x 20”) frame with a mat.

Plein Air boards are lightweight, versatile and affordable. Importantly, they are also of archival quality, unlike many of the panels and papers used for plein air painting. Additionally, each board is individually wrapped in a re-sealable archival storage bag.

 

View the full colour range here.

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