Michael Harding Oil Paint 40ml

mh40mlMy paints are made by hand, using techniques which date back to the days of the Old Masters. There is a very simple reason for this painstaking process. As an artist and painter I wanted to create colours that were true and vibrant, and paint which was beautiful and durable.

The greater the pigment content of a paint the greater the resistance it has to fading. Nearly all manufacturers use various fillers to extend the volume of the oil paint. It may increase profits but it compromises on quality. I totally refuse to do this. Why make something exceptional and then dilute it?

I will not claim that my paints will turn you into a great painter, but I can promise they will have a profound effect on your work. Your colours will be stronger and richer, and you will find the texture of the paint incomparable. You will love working with them.

Try them. You will be amazed

-Michael Harding

 *Exclusive to The French Art Shop Auckland

View the full range of colours here.

Sennelier Extra-Fine Artist’s Oil Paint 40ml

Untitled-1Dense, yet buttery, Sennelier oils are more highly pigmented and firmer than ever. The reformulated homogeneous consistency is better suited to the diversity of modern techniques and pictorial sensitivities. The slightly heavier body retains its unique creaminess, while offering greater versatility.

Sennelier’s carefully selected pigments are ground longer, to provide the finest, most vivid colouration possible. Sennelier strives to provide the purest, most concentrated stable pigments. With improved lightfastness, the colour intensity will endure for generations.

Safflower oil, a binder with balanced drying power, provides the creamy texture that dries with an attractive satin finish in a uniform manner over the entire range. Unlike linseed oil, safflower oil is non-yellowing.

Also available in 200ml tubes.

 

View the full range of 144 colours here.

Art Spectrum Artist’s Oil Colours 40ml

Untitled-2Art Spectrum are Australia’s most respected oil paints because they conform to the classic tradition. To make a permanent artists’ paint, it is of the utmost importance to not only have lightfast pigments and pure linseed oil (safflower oil in whites) but to ensure they are thoroughly milled as well. All colours are triple-milled to ensure that every pigment particle is completely coated with the vehicle, and evenly dispersed. This results in a stable paint film which has even surface tensions. Genuine oil colours characteristically smell of pure and natural vegetable oils.

Improved permanency information and new pigments have enabled us to replace the toxic and fugitive colours with non-toxic and cleaner colours of superior lightfastness. Ongoing research and development is dedicated to maintaining or improving the permanency, safety and performance of our colours.

Pigments are chosen for purity and clarity. Art Spectrum oil colours give lasting brilliance and luminosity to paintings. The finest pigments are used in the maximum working strength to impart the best colour quality. It is not Art Spectrum’s policy to substitute pure pigments with blanc fixe (a heavy filler) to simulate quality by artificially increasing the weight of oil paints.

View the full range of colours here.

Sennelier Etude Oil Paint 200ml

Untitled-3The vibrant and intense colours of this range feature excellent stability in colour mixing and lightfastness. The buttery texture allows smooth brushwork in thick applications or glazing. A comprehensive 36 colour range features a traditional palette of established colours, perfect for artists of any ability. Three accurate primaries are optimized for colour mixing, enabling the artist to create a vast palette of colours.

Etude’s very affordable price allows students and beginners to experience the renowned Sennelier quality that has made it the standard for over a century.

For professional artists, the large 200ml. tubes are the perfect combination of price and quality, especially when working in large format or thick application.

 

 

View the full range of 36 colours here.

Daler-Rowney Georgian Oils 38ml & 225ml

Untitled-4This high quality line of color is produced at a uniform and economical price. Daler-Rowney Georgian Oil Colors are ideal for use with a knife or a brush, allowing for a variety of effects to be achieved. Every batch is matched for color and texture against exacting standards to ensure they will perform perfectly anywhere in the world, from the Amazon to Antarctica.

 

 

 

 

 

 

View the full range of colours here.

Lefranc & Bourgeois Louvre Student Oils 60ml

Untitled-6The LOUVRE oil colours are a perfect compromise for first attempts at oil painting.

 

 

 

 

 

 

 

 

 

 

View the full colour range here.

Winsor & Newton Artisan Water Mixable Oils 37ml

Untitled-5Artisan Water Mixable Oil Colour has been specifically developed to appear and work just like conventional oil colour.   

The key difference between Artisan and conventional oils is its ability to thin and clean up with water.  Hazardous solvents are not necessary for Artisan and artists can enjoy a safer painting environment, making it ideal for artists who share a work space, schools or painting at home. 

 

 

 

 

 

 

 

View the full range of colours here.

Sennelier Oil Sticks

senn oil stickThe Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.

These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.

Supports: canvas, canvas boards, laminated panels, paper.
Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects
to be achieved.

Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.

Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.

View the full colour range here.

Markal Artists Paintstiks

markel oilMarkal Artists Paintstiks are real oil paint in stick form.  They are made from highly refined drying oils blended with the finest pigments and molded into sticks. Application of the stick to the painting surface liquifies the Painstick at the point of contact.An effective medium to explore shape, composition and color in the studio or on field trips.

Markal Artists Paintstiks can be used without palettes, mixing cups, brushes or turpentine. They can be applied and blended in nearly infinite color variations with the finger, a paintbrush, or palette knife. The sticks are completely compatible and can be varnished, over painted or worked over with a complete range of varnishes or conventional oil paints.

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