A range of ring bound drawing pads designed for studies and drafting work. Soft off white paper with light grain, acid free.

Available in 6×6″, 10×10″, 8×12″ and 12×16.5″.

A range designed for studies and drafting work. Soft off white paper with light grain, acid free.

Graph Paper is popular for designing, drawing, pattern making, etc. Non-reproducing blue lines.

Available in 2mm or 5mm squares, in A4 and A3.

Ideal for both rough drawings and finished compositions. Suitable for pencil, pen, and marker. Bleedproof.

Available in A4, A3 and A2.

This professional-quality, highly transparent tracing paper has a fine, smooth, hard surface that makes it excellent for tracing and visualizing with pencils, markers, or ink.

Available in A4 and A3.

Drafting film is suitable for pen and pencil drawing; it is durable, able to withstand extensive revisions and changes. Drafting film is dimensionally stable and unaffected by temperature and humidity, and feature excellent transparency and flatness.

Available in A3 and A2.

Fabriano Accademia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservatione over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards.

Its internal and external sizing renders it resistant to repeated erasures.

It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m2 is also suitable for gouache.

120gsm available in A5, A4, A3 and A2.

200gsm available in A4, A3 and A2.

Cartulina is a pulp-dyed cardboard. This paper pulp colouring process achieves more uniform, long-lasting colours than on printed paper. It is also highly resistant to discolouring by light or water. It has been whitened without chlorine, is acid free, free of heavy metals and the pulp is sourced from FSC forests.

Its composition makes it ideal for crafts, artwork, origami, modelling and can also be used for painting and watercolours. It is also suitable for use with inkjet and laser printers.

Available in a range of 30 brilliant colours in 50x65cm size and 20 colours in A4.

This white, French-made, medium textured paper erases well and is an ideal foundation for both broad and fine-point media. Use it with pencil, colored pencil, charcoal, pen, and ink.

You’ll see and feel the difference as your pastels bite into the extraordinarily toothy surface of this pastel, charcoal, and pencil drawing paper. Available in White and more than 30 delicious colors, it features a grain that runs parallel to the long side.

Acid-free. 40% cotton.

Available in A4 and 50x65cm.

Stonehenge is a traditional fine art paper with a smooth, flawless surface that is slightly mottled to resemble actual vellum. Use it for watercolor, printmaking, pen-and-ink, pencil, or pastel.

Stonehenge is machine-made in the United States, from 100% cotton fibers. It’s acid-free. Each sheet has two deckle edges.

Available in White and Black.

Fabriano Accademia drawing paper is made of high quality lignin free and acid free cellulose, guaranteeing long conservatione over time. Produced with 100% of E.C.F. pulp (Elemental Chlorine Free), F.S.C. certified (©1996 Forest Stewardship Council A.C.) from forests responsibly managed respectful of environmental, social and economic standards.

Its internal and external sizing renders it resistant to repeated erasures.

It is recommended for artists and amateurs for sketching and drawing with pencil, charcoal, pastel, coloured pencil and ink. Its 200 g/m² is also suitable for gouache.

Available in 120gsm and 200gsm.

Printed on 300gsm hot press watercolour paper and with its 20 dense, lightfast colours and fine deep tooth, Colourfix™ is a superb substrate for acrylics, inks, silverpoint, oil pastels, gouache, watercolours and dry media such as soft pastels, charcoal and pencils. The natural toothy surface will hold multiple layers of pastel without the need for fixative, allowing the velvet bloom and vibrant colour of pastel to be preserved. Erasing is also easy with Colourfix™ – simply lift off excess pastel with clear adhesive tape, brush off with a dampened or dry brush, or use a pencil eraser. Alternatively, errors can be overpainted or areas touched up with the matching colour of Art Spectrum Colourfix™ Primer. The tough, toothy surface can be sanded, scrubbed, soaked and reworked over and over

Available in A4 and 50x65cm

View the full colour range here.