Fredrix Yankee 12oz Canvas (Primed Cotton Duck)1.85m Wide

Acrylic primed. Suitable for Oils and Acrylics. Sold by the metre

Abstract Acrylics

Abstract Original

60 colours – 120ml, 20 colours – 500ml

Heavy body consistency – Very good covering power – Highly pigmented

Abstract has been developed using French skill and expertise. Abstract is created and produced in Saint-Brieuc in Brittany.

100 % Cadmium free : a range that uses cadmium substitutes in order to reduce its environmental impact. Highly effective, these substitutes preserve colour vivacity / opacity / luminosity.

Better preserved paint : air doesn’t enter the pack, and even better, with abstract there is no waste and no more air bubbles that spread colour over your palette at the end of the tube

For a full colour range, click here

Abstract MATT Acrylics

Abstract MATT

35 colours – 600ml

Soft body consistency – Ultra Matt – Ultra coverage – Velvet appearance – Ultra Opaque

Abstract has been developed using French skill and expertise. Abstract paste is created and produced in Saint-Brieuc in Brittany.

100 % Cadmium free : a range that uses cadmium substitutes in order to reduce its environmental impact. Highly effective, these substitutes preserve colour vivacity / opacity / luminosity.

Better preserved paint : air doesn’t enter the pack, and even better, with abstract there is no waste and no more air bubbles that spread colour over your palette at the end of the tube

For Full Abstract brouchure, click here

Abstract Acrylic Liners

Abstract Acrylic Liners

20 colours – 27ml

Soft body consistency – Ultra Matt – Ultra coverage – Velvet appearance – Ultra Opaque

Abstract has been developed using French skill and expertise. Abstract paste is created and produced in Saint-Brieuc in Brittany.

100 % Cadmium free : a range that uses cadmium substitutes in order to reduce its environmental impact. Highly effective, these substitutes preserve colour vivacity / opacity / luminosity.

Better preserved paint : air doesn’t enter the pack, and even better, with abstract there is no waste and no more air bubbles that spread colour over your palette at the end of the tube

For Full Abstract Colour chart, click here

Sennelier L’Aquarelle Extra Fine 1/2 Pans

A honey based watercolour
For more than one hundred years, Sennelier has been creating watercolors of unsurpassed intensity, permanence, and lightfastness. Because our watercolors contain a greater proportion of pigment, colors last longer on paper and the palette as well. Our classic French watercolors display a distinctive radiance and luminosity that is the hallmark of Cezanne and the Impressionist aesthetic.
These watercolors are made with the purest pigments, cold ground on granite grindstones and bound with gum arabic from Senegal and honey from the Alps. Extraordinary intensity of color. Made in France.
Available in half-pans and 10ml tubes.
View the full colour range here.

Sennelier L’Aquarelle Artist’s Watercolours

A honey based watercolour
For more than one hundred years, Sennelier has been creating watercolors of unsurpassed intensity, permanence, and lightfastness. Because our watercolors contain a greater proportion of pigment, colors last longer on paper and the palette as well. Our classic French watercolors display a distinctive radiance and luminosity that is the hallmark of Cezanne and the Impressionist aesthetic.
These watercolors are made with the purest pigments, cold ground on granite grindstones and bound with gum arabic from Senegal and honey from the Alps. Extraordinary intensity of color. Made in France.
Available in half-pans and 10ml tubes.
View the full colour range here.

Michael Harding Oil Paint 40ml

mh40mlMy paints are made by hand, using techniques which date back to the days of the Old Masters. There is a very simple reason for this painstaking process. As an artist and painter I wanted to create colours that were true and vibrant, and paint which was beautiful and durable.

The greater the pigment content of a paint the greater the resistance it has to fading. Nearly all manufacturers use various fillers to extend the volume of the oil paint. It may increase profits but it compromises on quality. I totally refuse to do this. Why make something exceptional and then dilute it?

I will not claim that my paints will turn you into a great painter, but I can promise they will have a profound effect on your work. Your colours will be stronger and richer, and you will find the texture of the paint incomparable. You will love working with them.

Try them. You will be amazed

-Michael Harding

 *Exclusive to The French Art Shop Auckland

View the full range of colours here.

Rembrandt Watercolours

In 1899, the world was introduced to Rembrandt water colours, the first watercolour paint from the Netherlands with maximum pigmentation and excellent lightfastness. Thanks to the quality and craftsmanship, which still very much lies at the heart of the production of the paint, Rembrandt has grown into an essential brand for the professional water colourist.

Rembrandt watercolours are made in Holland of only the best materials.

This professional-quality colour range is made from the purest pigments and purest quality gum arabic for brilliant and constant colours.

To see the full colour chart, click here

 

Sennelier Extra-Fine Artist’s Oil Paint 40ml

Dense, yet buttery, Sennelier oils are more highly pigmented and firmer than ever. The reformulated homogeneous consistency is better suited to the diversity of modern techniques and pictorial sensitivities. The slightly heavier body retains its unique creaminess, while offering greater versatility.

Sennelier’s carefully selected pigments are ground longer, to provide the finest, most vivid colouration possible. Sennelier strives to provide the purest, most concentrated stable pigments. With improved lightfastness, the colour intensity will endure for generations.

Safflower oil, a binder with balanced drying power, provides the creamy texture that dries with an attractive satin finish in a uniform manner over the entire range. Unlike linseed oil, safflower oil is non-yellowing.

Also available in 200ml tubes.

View the full range of 144 colours here.

Sennelier Rive Gauche Oils

From its earliest days, Paris has been Sennelier’s source of inspiration and that is what makes it such a Parisian brand.

Dries twice as fast : Whilst retaining the key characteristics of oil painting, Rive Gauche fine oils dry twice as fast as classic oils. The outcome of this is a shortened drying time that does not restrict an artist’s possibilities of working with fresh paint.

Oils that yellow two times less : Safflower oil is used to make the 60 colours. It is characterised by its low level of yellowing (50% less than linseed oil) and its excellent compatibility with pigments.

High-performance cadmium substitutes : Rive Gauche fine oils use new pigments, which are high-performance cadmium substitutes that offer opaqueness and luminosity properties that are almost equivalent to real cadmium-based oils.

A rich, balanced palette of colours : 60 colours in 40ml tubes – 56 colours in 200ml tubes 52 opaque colours | 6 semi-opaque colours | 2 transparent colours | 4 iridescent colours.

With Rive Gauche, Sennelier has placed the colours of Paris into tubes so that artists from all over the world can experience the pleasure of using them.

For their full colour chart click here

Montana WHITE Spray Paint

The Montana WHITE featuring 51 high covering colors is created for the budget continuous user that demands
quality.

The improved synthetic paint base boasts a hard wearing gloss finish that is weather proof for use in
all seasons.

Montana WHITE utilizes a synthetic paint base to achieve a fast drying time, with a gloss finish.

The high pressure valve system allows for fast application over greater surface area. Made in Germany to the
highest quality standards.

Sennelier Clarified Linseed Oil 75ml

Allows to thin the paint while maintaining its initial appearance.

Purified oil, naturally a little amber, extracted from flax seeds. More drier and more resistant than most other oils. Tends to turn yellow over time. Preferably used with dark or slightly drying tones. Presents extreme transparency. Gives body to the dough. Avoid excess.

Sennelier Boiled Linseed Oil 75ml

It liquefies the paint and accelerates hardening and a gloss finish.

Boiled linseed oil encourages the finish to dry deeply. Gives texture and roundness to the finish while drying more quickly than normal linseed oil and it adds a brilliant, slightly amber finish. Avoid excess.

Sennelier Matt Varnish with UV Protection

For Oil and Acrylic Painting

Matt Varnish with UV Protection

Transparent, non-yellowing, flexible permanent varnish.

Apply over dried colour for a matt finish. For best results, apply in several light coats rather than one heavy application.

Sennelier Satin Varinsh with UV Protection

For Oil and Acrylic Painting

Satin Varnish with UV Protection

Transparent, non-yellowing, flexible permanent varnish.

Apply over dried colour for a satin finish. For best results, apply in several light coats rather than one heavy application.

Sennelier Gloss Varnish with UV Protection

For Oil and Acrylic Painting

Gloss Varnish with UV Protection

Transparent, non-yellowing, flexible permanent varnish.

Apply over dried colour for a gloss finish. For best results, apply in several light coats rather than one heavy application.

Sennelier Stand Oil 75ml

Allows you to significantly attenuate or smooth thin brush strokes.

Linseed oil polymerised in the absence of air. Full bodied, very bright, clear,
honey-like viscosity, medium made by heating pure linseed. Improves transparency, fluidity and smooths brushstrokes. Can be used straight but, due to high viscosity, it is preferable to thin with spirits. Excellent medium for glazing and detail work. Reduces possible appearance of cracking. Slows drying. Slightly yellowing. Favors gloss.

Raphael 8930 Precision Long Handled Flat Brush

Precision has been designed to create the most accurate brush strokes of any synthetic brush. These brushes hold media well, yet have a snap to the hairs that help retain the shape of the brush from stroke to stroke.

Raphael 8900 Precision Long Handled Round Brush

Precision has been designed to create the most accurate brush strokes of any synthetic brush. These brushes hold media well, yet have a snap to the hairs that help retain the shape of the brush from stroke to stroke.

Raphael 8940 Precision Long Handled Filbert Brush

Precision has been designed to create the most accurate brush strokes of any synthetic brush. These brushes hold media well, yet have a snap to the hairs that help retain the shape of the brush from stroke to stroke.

Raphael 8938 Long Handled Bright Brush

Precision has been designed to create the most accurate brush strokes of any synthetic brush. These brushes hold media well, yet have a snap to the hairs that help retain the shape of the brush from stroke to stroke.

Raphael 8970 Precision Long Handled Fan Brush

Precision has been designed to create the most accurate brush strokes of any synthetic brush. These brushes hold media well, yet have a snap to the hairs that help retain the shape of the brush from stroke to stroke

Raphael 870 Textura Flat

The Textura brush is particularly aimed at artists who paint using impasto techniques and want to create relief effects with thick acrylics and structure gels. The brushes are made using very strong, short, rigid synthetic fibers and offer an excellent response to thick paints and mediums. These elegantly designed brushes are a joy to use for Professionals and beginners alike

Raphael 8702 Textura Filbert

The Textura brush is particularly aimed at artists who paint using impasto techniques and want to create relief effects with thick acrylics and structure gels. The brushes are made using very strong, short, rigid synthetic fibers and offer an excellent response to thick paints and mediums. These elegantly designed brushes are a joy to use for Professionals and beginners alike

Raphael 860 Textura Round

      The Textura brush is particularly aimed at artists who paint using impasto techniques and want to create relief effects with thick acrylics and structure gels. The brushes are made using very strong, short, rigid synthetic fibers and offer an excellent response to thick paints and mediums. These elegantly designed brushes are a joy to use for Professionals and beginners alike

Raphael SoftAqua 845

Shape : Round, Pointed tip
Fiber : Petit-gris pur
Usage : Soft Aqua brushes are excellent for Watercolours, Inks, Gouache, tempera and Silk Painting.

The fine tip of the Round Brush is specifically tailored for thin lines, detailed work and washes while its belly provides an excellent reservoir for water and colour.

Pilot Fountain Pens

Pilot MR1 Fountain Pen Medium Black (FP-MR1-M-BP)Pilot MR1 Fountain Pen Medium Silver (FP-MR1-M-SID)Pilot MR1 Fountain Pen Medium Gold (FP-MR1-M-GDZ)

Pilot – Iroshizuku Ink

Pilot Iroshizuku Ink 50Ml Bamboo Charcoal Take-sumi (INK-50-TAK)Pilot Iroshizuku Ink 15Ml Bamboo Charcoal Take-sumi (INK-15-TAK)Pilot MR1 Fountain Pen Medium Black (FP-MR1-M-BP)

Zig Clean Color Real Brush Pen

16836x300Unlike many “brush” pens, the Zig Clean Color Real Brush pen has a genuine bristle tip that lets you create marks of any width — from broad strokes to fine lines.

Filled with a waterbased dye that is odorless and xylene-free, these pens are easy to blend. Both portable and versatile, they’re great for plein air work as well as illustrating, sketching, designing and cartooning.

 

The pens come in 80 colours and are available individually or in sets of 4, 6, 12, 24, 36, 48 and 60!

Moleskine Notebooks

M-QP060_01These notebooks are one of Moleskines best selling products.

This reliable travel companion, perfect for writings, thoughts and passing notes, has a cardboard bound cover with rounded corners, acid free paper, a bookmark, an elastic closure and an expandable inner pocket that contains the Moleskine history.
Highly sought after by creative professionals and lovers of writing.

Sizes: Pocket and Large.

Available in Ruled, Plain and Squared formats in both Soft and Hard covers.

Moleskine Plain Cahier, Set of 3

M-QP323_01The Moleskine Plain Cahiers are journals with a flexible heavy-duty cardboard cover in with visible stitching on the spine.

The last 16 sheets are detachable and there is a pocket for loose notes.

Each set of 3 pieces includes the Moleskine history.

Available in Black, Red, Tan and Navy Blue.

Sizes: Pocket, Large and Extra Large

Moleskine Ruled Cahier, Set of 3

M-CH121_01The Moleskine Ruled Cahiers are journals with a flexible heavy-duty cardboard cover in with visible stitching on the spine.

The last 16 sheets are detachable and there is a pocket for loose notes.

Each set of 3 pieces includes the Moleskine history.

Available in Black, Red, Tan and Navy Blue.

Sizes: Pocket, Large and Extra Large

Moleskine Squared Cahier, Set of 3

M-CH217_01The Moleskine Squared Cahiers are journals with a flexible heavy-duty cardboard cover in with visible stitching on the spine.

The last 16 sheets are detachable and there is a pocket for loose notes.

Each set of 3 pieces includes the Moleskine history.

Available in Black, Red, Tan and Navy Blue.

Sizes: Pocket, Large and Extra Large

Moleskine Watercolour Notebook

M-MM804_01Moleskine Watercolour notebooks are the portable atelier for painting and drawing with watercolours.

A heavy 200-gram, cold-pressed paper is identical on the both sides and was created especially for Moleskine.

Every Moleskine product is thread bound and has a cardboard bound cover with rounded corners, acid free paper, a bookmark, an elastic closure and an expandable inner pocket that contains the Moleskine history.

Sizes: Pocket and Large.

Museum Wax – Quake Hold

mwaxMuseum wax is a blend of Microcrystalline Waxes that protect your valuable collections from bumps and earthquakes.

It is primarily for use on sealed wooden shelving as it protects the wood as well as the securing items to it. Can be used with porcelain, crystal, glass, ceramic, marble and wood finishes. It also performs well as a temporary “glue” to hold items in place, while being cleaned, repaired or photographed.

NOTE: This wax is to be used on items not moved often.

Gift Vouchers

Gift vouchers available from both the Auckland and Wellington stores.

You can choose the amount and they never expire!

We can post these nationwide.

 

Cobra Artist Quality Watermixable Oils

Cobra Artist Quality Watermixable 40ml Oils

The range consists of 70 transparent, semi-transparent, semi-opaque and opaque colours. They all have the highest degree of lightfastness (+++) and will remain unchanged for at least 100 years under museum conditions.

During the grinding process, the paint is ground on the triple roller mill until it reaches an artists’ quality fineness.

The range includes 32 mono-pigmented colours, including ten colours based on exclusive pigments – such as cadmiums, cobalt and chromium oxides – as well as a beautifully transparent oxide red or yellow.

For a full colour chart, click here

Van Gogh Oil Paints

Van Gogh Oil Paint, 60ml & 200ml

Dutch-crafted Van Gogh is a buttery oil that features excellent tinting strength, a high level of pigmentation for intense colours, and a uniform degree of gloss and thickness amongst colours.

Easy to mix and use.

These oils are great for beginners, students in advanced studies, and working artists.

For a full colour chart, click here

Sennelier Oil Sticks

The Oil Stick is a composition of oil paint. A proportion of the oil is substituted with a neutral mineral wax, resulting in the stick appearance.

These colours are of perfect quality: pure pigments are ground into vegetable oils (siccatives), selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved. These colours are applied discreetly to conventional oil painting supports (oil-proof or universal) and demand quality background preparation.

Supports: canvas, canvas boards, laminated panels, paper.
Solid oil paint should be applied in a relatively thin film (no more than 1mm). Layers can be overlapped, in the same manner as paste oil paint, and can, if necessary, be thinned with petroleum or turpentine. Before use, the surface film should be removed. This latter will re-form after a few days of non-use. Paint applied dries within 2 to 5 days depending on layer thickness and atmospheric conditions. A clear medium is available allowing transparency and glazing effects
to be achieved.

Solid artists’ quality colours are available in opaque or transparent shades, depending on the shades of the pigments used. The product may be stored for extended periods of time and requires no special attention, apart from avoiding heat sources that may damage it.

Once dry, the paint may be varnished like conventional oil paint, after a minimum drying period of 6 months, using an oil paint finishing varnish.

View the full colour range here.

Langridge Odourless Solvent

Untitled-3Langridge Low Toxic Solvent is supplied as a low toxicity alternative to traditional artists’ solvents, reducing exposure to the more harmful compounds associated with turpentine, etc.

Associated issues with prolonged contact with traditional artists’ solvents such as dermatitis, skin and respiratory organ irritation, headaches, etc. can be dramatically reduced or removed by using Langridge Low Toxic Solvent.

Because its’ Permisable Exposure Level (PEL) is higher than other solvents the artists exposure will not be as harmful in comparison to traditional solvents. Langridge still recommends the use of good studio ventilation, a minimum of two open windows, preferably a properly installed exhaust system.

It can be used as a diluent when used in small quantities with oil colours. Extreme care should be taken, however, in diluting purely with Low Toxic Solvent as its over-use can easily underbind paint and lead to a dull, dry lifeless film with potential for dusting or flaking off. Artists wishing to create very fluid working qualities should refer to painting mediums constructed for that purpose.

Available in 100ml, 500ml, 1 Litre, 4 Litre

Langridge Distilled Gum Turpentine

Untitled-4Natural diluent when used in small quantities with oil colours. Unlike petrolleum distillate based solvents (Low Toxic Solvent, Mineral Turpentine, White Spirit, etc.) its function is not solely to break-down oil but aids in dilution, keeping the richness and fatness of the oil with which it is mixed.Care should be taken, however, in diluting purely with Gum Turpentine as its over-use can easily underbind paint and lead to a dull, dry lifeless film with potential for dusting or flaking off. Artists wishing to create very fluid working qualities should refer to painting mediums constructed for that purpose.

Gum Turpentine can be added to artists’ drying oils to add extra fluidity. It is  generally found that Gum Turpentine has greater wetting powers than petrolleum distillates so that much smaller quantities may be added to achieve fluidity of paints and oils.

Available in 100ml, 500ml, 1 Litre, & 4 Litre.

Lefranc & Bourgeois Quick Drying Petroleum

Untitled-6Highly volatile, gives a matt finish, also called White Spirit.
This solvent is purely of mineral origin. Its principal quality is that it evaporates completely, leaving no trace.

Available in 75ml, 250ml, 500ml and 1liter bottles

Lefranc & Bourgeois Rectified Turpentine

Untitled-7Turpentine is  obtained by distilling the gum from pine trees. It is then rectified, which makes it colourless and increases its fluiditiy. It is mainly used for thinning oil colours, therby making them easier to use for the basic sketch by fluidifying them without altering their hue.

Less volatile than Quick drying petroleum, it gives less of a matt appearence to the work.

Available in 75ml, 250ml, 500ml and 1liter bottles

Lefranc & Bourgeois Oil of Spike Lavender

Untitled-5Lavender oil comes from the distillation of lavender. Thanks to its slow volatility, it gives body the colours as well as a certain amount of bite, which improves adhesion to the lower layers.

Available in 75ml and 250ml bottles

Art Spectrum Odorless Solvent

art-spectrum-logo_81Ideal for artists who are sensetive to the odor of turpentine. Used for the cleaning of brushes and as a replacement when making up mediums.

Keep away from naked flame and heat. Use in a well ventilated area.

Available in 500ml and 1 litre.

Art Spectrum Pure Gum Turpentine

art-spectrum-logo_81Double distilled for artist’s use. Use in the preparation of painting mediums and for cleaning equipment.

Do not use neat as a diluent for oil paint. Use in a well ventilated area.

Available in 500ml and 1 litre.

Langridge Refined Linseed Oil

Untitled-29Linseed is the most widely used oil because when dry it forms the toughest, most resilient paint films.

Used in small quantities, it adds a soft, slippery quality when added to oil colours. The paint film will stay open and is easily moved or reworked for up to 24 hours.

Because linseed oils yellow or darken with time, some more dramatically than others, it is recommended that the use of linseed oil should be kept to a minimum as a medium to aid fluidity or transparency.

Further information on the use of refined linseed oil is available here.

Available in 100ml, 500ml and 1 litre.

Langridge Cold Pressed Linseed Oil

Untitled-28Cold Pressed Linseed Oil has greater wetting power than refined linseed oils and is often recommended for hand milling of oil  paints. When used to mill oil colours or even when mixed with prepared oil colours produces a pronounced stroke to the brushmark, so that strokes of  different directions and application show a marked ‘suede’ effect.

Used even in small quantities, it adds a loose, slippery quality when added to oil colours. The paint film will stay open and is easily moved or reworked for up to 24 hours. Cold Pressed Linseed Oil creates a flexible paint film longer than any other artist’s drying oil.

Further information on the use of Cold Pressed Linseed Oil can be found here.

Available in 100ml, 500ml and 1 litre.

Langridge Stand Oil

Untitled-27Stand Oil is a virtually non-yellowing drying oil. Thick and honey-like, it cannot be used without the addition of Distilled Gum Turpentine or equivalent solvent. It has pronounced levelling qualities and produces an enamel-like effect when mixed with oil paints.

Stand Oil based mediums will set-up to a tack that grabs any succeeding brush strokes. The wet, but tacky paint surface can be readily painted into without moving freshly applied paint. Excellent for controlled paint manipulation.

For further information on the use of Stand Oil is available here.

Available in 100ml, 500ml and 1 litre.

Lefranc & Bourgeois Clarified Linseed Oil

Untitled-31Used to reduce the consistency and to speed up the drying time of oil colours. Also improves gloss and transparency.

Available in 75ml and 250ml.

Lefranc & Bourgeois Poppy Oil

Untitled-30Extracted from poppy seeds. Used to reduce the consistency and speed up the drying time of oil colours. Also improves flow and transparency.  Does not yellow with age and as such is traditionally used in more delicate colours. Not siccative.

Available in 75ml and 250ml.

Lamy Al-Star Fountain Pen

26_alstar_graphit_FH_engFountain pen with cartridge filling system with ink cartridge. LAMY T 10 blue (can be modified for use with converter Z 24). Black chromium-plated steel nib. Also available as a Mechanical Pencil, Rollerball Pen and Ballpoint Pen.

Available nib grades: Medium (M)/Left-Handed (LH)/Extra-Fine (EF)/Fine (F)/Broad (B).

Available in Aluminium, Graphite, Ocean Blue and Dark Purple.

Lamy Safari Fountain Pen

018_safari_FH_engIn sturdy ABS plastic. Characteristic front section. With flexible clip of shiny chrome. Fountain pen with cartridge filling system with ink cartridge LAMY T 10 blue (can be modified for use with converter Z 24). Steel nib, polished.

Available nib grades: Medium (M)/Extra-Fine (EF)/Fine (F)/Medium (M)/Broad (B)/Left-Handed (LH).

Also available as a roller ball pen.

Available in Red, Blue, Charcoal, Yellow, Shiny Black and White.

Lamy Joy Fountain Pen

15_FH_engBeautiful handwriting is an expression of personality and individuality. It is the writer´s own, unmistakable hallmark. Handwritten letters, congratulations, invitations, place cards, menus, certificates, programmes and the like invariably seem more personal.

Now there is the ideal writing instrument – the LAMY joy, a fountain-pen that inspires beautiful, creative writing. Thanks to its ergonomic design, it sits comfortably in the hand.

Made of black shiny plastic. Ergonomic grip section and flexible clip of spring brass wire. Cartridge filling system with ink cartridge LAMY T 10 blue (can be modified for use with converter Z 24). Stainless steel nib with 1.1, 1.5 or 1.9 mm chisel point.

Lamy Tipo Rollerball Pen

339_tipo_natur_TR_engWith its rollerball refill, the LAMY tipo writes just as fluently and accurately as one would expect of any Lamy pen. And it is ready for use instantly. This is because instead of a cap, it has an integrated clip-push mechanism which makes for extremely swift selection. When the clip is pressed to extend the rollerball tip, the clip itself retracts into a slot in the shaft, meaning that it can no longer be used to clip the pen onto a (jacket) pocket. When the top of the clip is pressed, however, the rollerball tip disappears inside the body and the clip returns to its original position. The LAMY tipo can once again be clipped onto a (jacket) pocket without any risk of stains.

Available in Aluminium, Graphite, Blue, Red, Pink, Orange and White.

Lamy Noto Ballpoint Pen

283_KS_01_engLAMY Noto. Easy writing. Ballpoint pen in the new, functional design. With triangular
body and impressive clip solution. With LAMY giant refill M 16 black M.

Plastic body with matt surface available in Black/Silver, Black, White, Graphite and Ruby.

Sennelier Soft Pastels

senn soft pastelSennelier Soft Pastels have a world-wide reputation for exceptionally pigmented colors and they have the largest and richest collection of dark colors. Made from the purest pigments chosen for their intensity and high lightfast rating, they are handmade and air dried for four weeks to maintain a uniform softness. Select Sennelier for the the finest quality soft pastels available.
Each Sennelier Soft Pastel measures 2½ ” long x ½” diameter.
View the full colour range here.

Price List:

$8.95

Clairefontaine Age Bag Pencil Cases

age bagGenuine soft sheep leather pencil cases in a variety of colours and styles.

Available in Green, Red, Black and Ochre.

Troop London – Classic Backpack

Classic Backpack Large - Black

  • Colour: Black
  • Size: 45cm H x 32cm W x 18cm D
  • Interior : Organiser Section, 1 Zip Coin Pocket,
  • 1 Laptop Compartment
  • Interior Material: PU Backed – Cotton
  • Outer Material: Leather – Cotton
  • Handles Straps: 2 Padded Adjustable Shoulder Straps, Soft Top Carry Handle
  • 4 Side Adjusting Straps
  • Exterior : 3 Front Zip Pockets, 2 Side Pockets, 1 Zip Main Compartment, Padded Back
  • Closure: Zippers

 

Troop London – Classic Flap Front Messenger Bag

Classic Flap Front Messenger Bag - Blue

The Troop Classic Flap Front Laptop Messenger Bag offers a deep, packable main compartment with expanding base accompanied with spacious pockets. The padded Laptop compartment is suitable to carry a laptop up to the dimension of (L)350mm x (D)260mm x (H)50mm (16.5″ Diagonally)

Made of super strong canvas with genuine leather trim and detailed zip pullers.

Lined in PU backed cotton.

Troop London – Nomad Backpack Camel

Nomad Backpack - Camel

  • Colour: Camel
  • Size:40cm H x 30cm W x 20cm D
  • Interior: One zipped pocket, 2 Slip Pockets, Laptop Pocket
  • Interior Material: PU Backed – Cotton
  • Outer Material: Leather, Wax cotton Canvas Vintage metals
  • Handles Straps: Adjustable Shoulder Straps
  • Exterior: 1 Front Pocket, Leather Trim
  • Closure: MagnaDot Buckle, Drawstring

Berge LC4C Oil Primed Medium Linen 2.1m Wide

20120411180619319Sold by the meter.

Isabey Isacryl 6512 Round

6512Isacryl interlocked fibre – Nickel plated brass ferrule – Walnut coloured handle – Round.

 

Berge L40 Medium Linen 2.1m Wide

20120411180619319Rabbit Skin Glue primed. Sold by the meter.

Berge L63U Linen (Extra-Fine) 2.1m Wide

20120411180619319Universal Acrylic primed. Suitable for Acrylic and Oil.

Sold by the metre.

Berge L84U Linen (Extra Fine) 2.1m Wide

20120411180619319Universal Acrylic Primed. Suitable for Acrylic and Oil.

Sold by the Metre or the Roll.

(Extra-Fine) “Rolls Royce of Linens”

French Art Primed Canvas 10 oz. & 12 oz.- 2.1m Wide

UnprimedCotton canvas, acrylic primed. Suitable for Acrylic and Oils. Sold by the metre.

The economical choice!!!!

Fredrix “Style 70” Canvas (Primed Cotton Duck) 1.53m Wide

UnprimedCotton canvas, triple acrylic primed. Suitable for Acrylic and Oils. Sold by the metre.

Unprimed Cotton Duck Canvas 1.8m Wide

UnprimedCotton canvas, uprimed. Sold by the meter.

National Art Supplies Art Folders

Logo for FacebookBlack plastic travel folders. Carries large artwork, blueprints, presentation materials and drawings with you, fully protected.

Plastix Corflute Black Boxes

Logo for FacebookHard plastic document folders and boxes.

Available in A4 and A3 in various widths.

Plastix Stitched Folder A2

Logo for FacebookSlimline black plastic document folder stitched at the sides.

Blundell Harling Challenge Drawing Board A2

• Lightweight and accurate drawing board with parallel motion unit
• Incorporates a simple cross-wire type parallel motion unit running on a pulley system
• Transparent acrylic straight edge with a graduated graphics scale
• Can be used flat or at a 15º working angle

Staedtler ASCOLA Drawing Board A3

Logo-StaedtlerASCOLA A3 student drawing board. Laminated base with built-in ergonomic stand, aluminium slides, vertical division and sheet holder mechanism.

Rotring College Board A3

Rotring-College-BoardThe Rotring College Drawing Board is a portable, parallel rule, single locking, drafters’ drawing board. For sheet sizes up to 450 x 325mm. Magnetic clamp with scale. Straightedge guide slots on all four sides with sigl humps. Parallel straightedge with grip area and STOP-and-GO button (single locking). Additional metal clamp.

Kent Graduate Drawing Board A3

Kent-A3-Drawing-BoardEconomical double-locking, portable, parallel rule drafting board, is perfect for students. Includes a magnetic clamp and transparent straight edge with protractor. Made from lightweight ABS plastic.

Blundell Harling Art Board A2

blundellA2 portable drawing board.  Four angle positions: 25º, 35º, 45º, and 60º. Stand is of all steel construction. When closed, the backstand acts as a carrying handle.

Helmar Acid Free Book Binding Glue

Untitled-6Helmar Acid Free glue has been specifically formulated for memory albums, book binding, mounting photographs, preserving old or precious books, documents, scrap books, most craft projects, etc.

Excellent adhesion to dense papers, high flexibility, long term life of the bond. Sets clear, dries quickly and will not yellow with age.

Available in 50ml and 125ml.

Sennelier Shellac-based Inks

Untitled-3This shellac-based ink is waterproof, and dries to a satin finish. It is great for both watercolor illustration and calligraphy.

Colors are blendable and can be reduced with a shellac-based thinner for various techniques. They have a high degree of water resistance without being indelible.

View the full colour chart here.

Higgins Inks 29.5ml

higgins inkArtist-quality colors available in beautiful Fadeproof Pigment inks or in Waterproof Dye inks – perfect for sketching, drawing, writing, and mixed-media. Specialty inks include unique formulations designed for calligraphy, fountain pens, and paper.

View the full colour chart here.

Talens Drawing Inks 490ml

talens inkFor refined and exacting drawing work. Can be thinned with water, waterproof once dry. Can be applied with brush, drawing-pen, technical drawing-pen and airbrush.

View the full colour chart here.

Daler-Rowney FW Pearlescent Inks 29.5ml

dr pearl inkFW Pearlescent Inks are a unique range of 22 water-based acrylic colours producing a shimmering pearl effect.

Pigments are large in particle size so will not go through fine line nozzles for airbrushes, nor will they be suitable for technical pens or fountain pens. The best means of applying pearlescent colours is by using a dipper pen, ruling pen or brush.

These acrylic-based inks are water-soluble when wet, but dry to a water-resistant film on most surfaces. All colours are very to extremely lightfast.

This breakthrough in colour technology offers almost limitless creative potential in areas not normally associated with inks and includes applications to wood and leather (and to a limited degree, glass and ceramics) as well as to paper and board. All colours are intermixable. They are permanent and translucent, but work best if put down freely rather than applying successive layers of colours. The shimmering pearl effect created by these colours is startling, and there are many interesting and exciting ways of using FW Pearlescent Inks.

View the full colour chart here.

Lefranc & Bourgeois Vitrail 50ml

Untitled-7The 22 Vitrail colours are composed of transparent, colouring-agent based glycerophtalic resins which endows them with unrivalled brightness and transparency. The colours can be used on all smooth supports, for example glass, porcelain, tiles, but also metal and some plastics.

View the full colour chart here.

Global BodyArt Face & Body Paint

FACE-PAINTSIdeal for make-up artists, theatre and performance; sports team supporters; parties for children; festivals and fairs. Global Colours BodyArt was the official face and body paint for the Opening and Closing ceremonies of the Sydney 2000 Olympic Games.

BodyArt is suitable for all age groups and a wide range of uses. This premium body paint has a smooth ‘soft paste’ texture which allows it to be applied directly from the jar. It dries to a soft velvety finish.

Available in 15ml, 45ml and 200ml.

Link to the Global website here.

C Roberson & Co. Imitation Gold Leaf

23-wb-gold-leafC. Roberson & Co has been manufacturing and supplying Artist’s materials since 1810. Imitation Gold Leaf is a good alternative to real gold leaf for large areas or where genuine leaf would be uneconomical.

Available in single leaves or books of 25.

C Roberson & Co Imitation Silver Leaf

silver leafC. Roberson & Co has been manufacturing and supplying Artist’s materials since 1810. Imitation Silver Leaf is a good alternative to real gold leaf for large areas or where genuine leaf would be uneconomical.

Available in single leaves or books of 25.

Lefranc & Bourgeois Charbonnel 12 Hour Gold Size

lefranc__bourgeoisThis oil-based glue (or size) is heated in a closed container according to an exclusive formulation and is subjected to a multitude of filtering and decanting operations. The high quality product which results will ensure long lasting gilding work.

This mixture is suitable for large surfaces, outdoor work, in dry conditions and where there is not too much dust. To obtain the best results in terms of brilliance and depth, the 12-hour gilding mixture should be used rather than the 3 Hour mixture. It will also be resistant for longer with a stronger pictorial film.

Available in 100ml, 250ml, 500ml and 1l.

Lefranc & Bourgeois Charbonnel 3 Hour Gold Size

lefranc__bourgeoisThis oil-based glue (or size) is heated in a closed container according to an exclusive formulation and is subjected to a multitude of filtering and decanting operations. The high quality product which results will ensure long lasting gilding work.

This mixture is suitable on smaller surfaces for inside work or when the 12 Hour mixture may not be used for whatever reason (wet climate or too much dust etc).

Available in 100ml, 250ml, 500ml and 1l.

Lefranc & Bourgeois Charbonnel Water-Based Gold Size 100ml

lefranc__bourgeoisThis oil-based glue (or size) is heated in a closed container according to an exclusive formulation and is subjected to a multitude of filtering and decanting operations. The high quality product which results will ensure long lasting gilding work.

This mixture is a quick and simple gilding method. It is suitable for indoor work, on wood or plaster. The gold leaf may be applied 30 minutes after the mixture.

Lefranc & Bourgeois Charbonnel Gilder’s Clay 1l

Burnishing-ClayCharbonnel gilder clays are in the form of a paste which is finely ground in the traditional manner between granite rollers. The manufacturing process ensures top quality and performance. Gilders clay needs to be mixed with twice its volume of a lukewarm solution of Skin Size. It may then be applied to the object which is to be gilded.

Available in Yellow and Blue.

Jovi Air Dry Clay

jovi-whiteJovi air hardening clay is a pleasure to use, has a pleasant and fresh feel and it doesn’t stain in the way that clay does. It can be shaped by hand or by covering frames made of different materials (wire, wood…).

Then you just leave it to dry naturally in the air for 24 hours, thereby eliminating the need to use high temperature ovens.

It can be reshaped easily and what’s more, it is easy to give your models their finishing touches. Once hard it can be painted, varnished, polished and cut. A truly amazing product, it is available in two colours: white and terracotta.

Available in 500g and 1kg, in Terracotta and White.

 

DAS Modelling Clay 500g

Untitled-23Oil Based Modelling Clay, stays able to be reshaped over a long period.

Available in White, Yellow, Orange, Red, Blue, Green, Brown, Grey, White and Black.

Plaster of Paris 1kg

Untitled-23Mix it with water and it sets hard in about 30 minutes. As plaster sets it becomes warm and expands very slightly. Gypsum and plaster of Paris have been used for many thousands of years. Used for casting and modelling.

Modelling Tools

modelling toolsWooden modelling tools in various shapes, used to cut, shape and give texture to modelling or pottery clays.

Pottery Tool Kit

Kemper-Pottery-Tool-KitA full range of cutting, shaping and mark making equipment for pottery enthusiasts.

UHU All Purpose Adhesive 35ml

uhuUHU All Purpose Adhesive, the proven fast, crystal-clear universal adhesive. For universal applications at home, in the office, for modelling, at school and for crafts. Glues many materials rapidly and durably. Its adhesive bond remains temporarily correctable and it does not wrinkle paper.

UHU Superglue 3g

uhu super glueOdour free super all purpose glue which is easy to apply, adjustable within 15 seconds (depending on material, humidity, and quantitiy of glue applied), thus does not instantly glue fingers together. Solvent free and odour free. Ideal for smooth surfaces.

UHU School Stic 40g

uhu sticUHU Solvent-free stick , the convenient, clean and solvent-free glue stick with a unique screw cap to protect from drying out. Fast, durable and economical. Spreads easily and sticks immediately. Washes out easily with cold water. For use at home, at school and in the office.

Henzo Photo Glue 50g

henzo photo glueFor quick clean and wrinkle free photo and paper pasting. Acid free and photo safe. Does not shrink.

PVA Glue 500ml

Untitled-23Used in papier mache, paper, book binding, collage work, board, crafts, vinyl, wood, archival work and even in leatherwork. The glue doesn’t emit any dangerous fumes, is water-based and can be handled safely without gloves.

Photo Corners 250pcs

Untitled-23Acid-free. Acrylic based – No staining or bleeding. PAT tested and approved (Photo Safe). Lignin Free.

Art Cement 250ml

Untitled-23An adhesive used for either permanent or temporary sticking of paper, fabric, cork, cardboard or most clean dry surfaces. When dry simply peel away excess.

Double Sided Tape

Untitled-23Available in 10mm, 12mm, 18mm and 24mm.

Framing Tape 36mm

Untitled-23Framing tape bonds more aggressively to your backing and frame moulding and will hold firm for a long time and NOT dry out like the packaging tapes do over a very short period of time.

Masking Tape

Untitled-23Brown paper tape.

Available in 10mm, 18mm, 24mm, and 36mm.

Staedtler Mars Lumograph Pencils

mar_lumographPremium quality pencil for writing, drawing and sketching on paper and matt drawing film. Unbelievably break-resistant through special lead formulation and super-bonded lead. Wood from certified, sustainably managed forests.

Available in grades 8B, 7B, 6B, 5B, 4B, 3B, 2B, B, HB, F, H, 2H, 3H, 4H, 5H, and 6H.

Staedtler Pigment Liner 308

0-Huge-0Fineliner for writing, sketching and drawing. Long metal tip, ideal for use with rulers and templates e.g. Mars lettering guide 572 FL. Pigment ink, indelible (in accordance with ISO 14145-2), lightfast, waterproof. Erasable when used on drafting paper, no bleeding when highlighted. Cap off – can be left uncapped for 18 hours without drying up (Test ISO 554). PP barrel guarantees long service life.

Available in 0.05mm, 0.1mm, 0.2mm, 0.3mm, 0.4mm, 0.5mm, 0.6mm, 0.7mm and 0.8mm.

Staedtler Triplus Fineliner 334 Pen

0-Huge-0 (1)Fineliner with superfine, metal-clad tip. Ergonomic triangular shape for relaxed and easy writing. DRY SAFE – can be left uncapped for days without drying up (Test ISO 554). Water-based ink. Washes out of many textiles. PP barrel guarantees long service life. Line width approx. 0.3 mm.

View the full colour chart here.

Staedtler Mars Technico 788 2mm Lead Holder

staedtler-mars-technico-788-c-leadholderLeadholder for drawing, sketching and writing. For 2 mm leads e.g. Mars carbon 200. With metal clip.

SDI Helical Pencil Sharpener

Untitled-10Durable helical blade which sharpens pencils to super points for fine detail work. Suitable for pencils up to 8mm in diameter. The SDI sharpeners feature an extendable front plate with a self feeding mechanism which stops when the pencil has reached a superb point. They also come with a handy desk clamp.

Available in Blue, Red and Yellow.

Staedtler Mars Technico 780 2mm Lead Holder

staedtler-mars-technico-780-c-porte-minesLeadholder for drawing, sketching and writing. For 2 mm leads e.g. Mars carbon 200. With metal clip, push-button and grip zone. Integrated lead sharpener in push-button.

Staedtler Mars Carbon 200 2mm Leads

staedtler-mars-carbon-lead-refills_lgRefill leads for leadholder. 2 mm lead for use on paper and drawing card. Length 130 mm. 12 leads per box.

Available in 4B, 2B, B, HB, H, 2H and 4H.

Staedtler Mar Micro 775 Mechanical Pencils

214687Mechanical pencil for writing and drawing. Non-slip rubber grip zone. Metal clip, push-button and tip. Pocket-safe thanks to retractable lead sleeve. Rigid, cylindrical lead sleeve, ideal for use with rulers and templates. Cushioned lead for high level of break resistance. PVC and latex-free eraser.

Available in 0.3mm, 0.5mm, 0.7mm and 0.9mm widths.

Staedtler Mars Micro Carbon 250 Pencil Leads

getDynamicImageMechanical pencil lead for use on paper and drawing card. High break resistance due to flexible lead. Smooth-gliding lead, jet black lines. Unique ecological manufacturing process without PVC or softening agents. More than 90% natural raw materials. Suitable for use with all mechanical pencils.

Available in 2B, B, HB, F, H, 2H and 3H.

Available in widths of 0.3mm, 0.5mm, 0.7mm and 0.9mm.

Staedtler Lumocolor Permanent 313 Pen

313-9Universal pen for use on almost all surfaces. Suitable for overhead projection. Also suitable for use on CDs/DVDs. Excellent smudge-proof and waterproof qualities on almost all surfaces. Dries in seconds, therefore ideal for left-handed users. Permanent, low-odour ink. PP barrel and cap guarantee long service life. DRY SAFE – can be left uncapped for days without drying up (Test ISO 554). Airplane-safe – automatic pressure equalization prevents pen from leaking on board aircraft. Xylene and toluene-free ink. Superb colour brilliancy.

Black is Lightfast and Weatherproof.

Available in Superfine, Fine and Medium and in Black, Red and Blue.

Staedtler Lumocolor Permanent Duo 348 Marker

43500_flHandy-sized marker with two tips for writing and marking on almost all surfaces. Excellent smudge-proof and waterproof qualities. Dries in seconds, therefore ideal for left-handed users. Colour-intensive, low-odour. Black is lightfast and weatherproof. Locked tip. PP barrel and cap guarantee long service life. DRY SAFE – can be left uncapped for days without drying up (Test ISO 554). Airplane-safe – automatic pressure equalization prevents pen from leaking on board aircraft. Xylene and toluene-free ink.

Staedtler 510 20 Double Hole Metal Pencil Sharpener

staedtler-sharpener-double-metalFor standard-sized blacklead pencils up to 8.2 mm Ø with a sharpening angle of 23° for clear and accurate lines.

For thick blacklead and coloured pencils up to 10.2 mm Ø with a sharpening angle of 30° for broad, soft lines.

Staedtler 510 10 Single Hole Metal Pencil Sharpener

getDynamicImage (1)For standard-sized blacklead pencils up to 8.2 mm Ø with a sharpening angle of 23° for clear and accurate lines

Staedtler Mars 502 Lead Pointer

staedtler-mars-lead-pointer-tub-502Sharpener for 2 mm leads. Automatic sharpening stop. With measurement device for adjusting sharpening cone. Metal lead sharpener. Integrated dust wiper.

Pure Pigments 60g

pure pigmentHigh quality Sennelier pigments for making your own artist’s colour. We also sell binders for creating your own Oils, Acrylics and Watercolours.

View the full list of available colours and their prices here.

Shellac 100g

Digital StillCameraDried flakes to be dissolved in methylated spirits to make liquid shellac, which is used as a brush-on colorant, food glaze and wood finish. Shellac functions as a tough natural primer, sanding sealant, tannin-blocker, odour-blocker, stain, and high-gloss varnish.

Rabbit Skin Glue 100g

rabbit skin glueRabbit skin glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints.

Use only Oil Primer over Rabbit Skin Glue as Acrylic Primer may not bond properly to this size.

Beeswax 400g

SBBY_250PUsed as an ingredient in mediums for painting techniques such as encaustic painting or as a matting agent in varnishes.

Bleached Beeswax 200g

WhiteBeeswaxPure white alternative to beeswax pellets.

Damar Crystals 500g

damarPure Damar resin in crystal form. Used in oil painting mediums and varnishes. Use gloves when handling pure resins.

Gilder’s Whiting 500g

100610_xCalcium carbonate which has been ground and refined. When added to Rabbit Skin glue forms the basis of Gesso.

Pumice Powder 100g

s109135A mild abrasive.

Carborundum 500g

Untitled-23Carborundum was originally used by printmakers to grind down lithography stones and is now used in collagraph prints to create gradients of tone and a sandy texture.

Mull 1m

mullSoft, thin muslin used for cleaning plates in intaglio etching.

Zinc Plates

Untitled-9Cheaper alternative to copper plates in intaglio printing.

Available in various sizes.

MDF Panels

mdfPanels for woodcut prints.

Available in 3mm and 6mm, and in A4 and A3 sizes.

Lino Panels

lino-block2Slightly softer surface than wood, for cutting lino prints.

Available in A5, A4 and A3.

Speedball Brayers

brayer_2_inch_deluxeSpeedball’s most popular brayers are great for printmaking, paper crafting, memory albums, stamping and home décor. The Deluxe Soft Rubber Brayer is made from pure natural gum rubber with a ground finish.

Available in a wide selection of sizes from 2” to 6” width.

Essdee Hard Rubber Roller

Lino-Roller-2Our best selling rollers are used by education authorities worldwide and are available in a variety of sizes. Manufactured from durable polypropolene with self-lubricating nylon bearings, robust construction, EPDM rubber, hanging slot, aluminium core and continuous steel shaft. These versatile rollers can be used for a variety of purposes other than lino printing. Simply turn over the wet roller and the handle doubles as a stand for cleaner working.

Available in 2″ to 6″ widths.

Lefranc & Bourgeois Charbonnel Etching Ink

charbonnel etchingIntricate detail and subtle inflections come to life with Charbonnel inks. The top choice of the most exacting printmakers, Charbonnel inks feature pigments chosen for their low acidity and exceptional lightfastness.

Blended with top-quality oils and carefully milled to ensure trouble-free printing, these are the inks of choice for exquisite, lasting works of art.

The range of Charbonnel colours has been redesigned by our laboratory to increase their qualities and obtain a more balanced colour chart. Some colours have been improved in terms of power, wiping and siccative properties and ligntfastness. New colours such as gold and silver have been added.

Available in 60ml and 200ml.

View the full colour chart here.

Lefranc & Bourgeois Aqua Wash Ink 60ml

charbonnel-aqua-washCharbonnel Aqua Wash Etching Inks are water-washable, with an oil emulsion that allows work similar to traditional solvent-based inks.

Made from extra-fine quality pigments, these etching inks are very lightfast and permanent when dry, and excellent for all techniques, including intaglio, relief, etching, and woodcut on linoleum, monotype, aquatint, and more.

Formulated especially for artists and students working in groups, Charbonnel Aqua Wash Inks clean up without solvents, and are non-toxic, odorless, and easy to wipe.

Instruments, tools, and plates do not get rusty when using Aqua Wash Inks because the inks do not contain water. They dry slowly, at the same rate assolvent-based inks.

View the full colour chart here.

Lefranc & Bourgeois Charbonnel Hard Black Ball Ground

a20791713c15c52a085ce3_mContains: judea bitumen, dammar resin, wax.

Dry extract: 100%
Finish: opaque matt
Hardness: hard, not quite as hard as Charbonnel hard black ball ground.
Consistency: paste
Characteristics: The matt black finish obtained makes etching work very clear.
How To Use: Wrapped in a piece of taffeta which serves as a filter, the ball is rubbed on the pre-heated metal plate. Dab on the ground to obtain an even surface before smoking.
Plate Cleaning: Before applying these grounds, it is imperative that all grease be removed from the plate. To do this, thin some Marly white with a small quantity of water and rub the plate with a soft cloth or a piece of cotton. Rinse under flowing water. Pour a soured solution of vinegar and salt on the plate. Rinse once again. Dry rapidly. Avoid putting fingers on the plate whilst carrying out these operations.
Hard Grounds: Once the ground is applied and dry, the picture is etched with a hard point in order to expose the metal beneath the ground. The plate is then placed in a bath of acid to erode the exposed metal. Once the required bite depth has been attained, the plate should be taken out of the acid bath solution and dried and the ground removed with the appropriate thinner.

Lefranc & Bourgeois Charbonnel Soft Black Ball Ground

a20791713c15c52a085ce3_mContains: judea bitumen, pitch resin, tallow, beeswax.
Dry extract: 52%
Finish: satin opaque
Hardness: supple
Consistency: paste
Characteristics: Soft lines and textural effects.
How To Use: A painting dabber is recommended for application. It is applied hot.
Plate Cleaning: Before applying these grounds, it is imperative that all grease be removed from the plate. To do this, thin some Marly white with a small quantity of water and rub the plate with a soft cloth or a piece of cotton. Rinse under flowing water. Pour a soured solution of vinegar and salt on the plate. Rinse once again. Dry rapidly. Avoid putting fingers on the plate whilst carrying out these operations.
Soft Grounds: Soft grounds protect the plate. They are non-drying grounds, applied with a painting dabber or roller. Textures and materials pressed into their non-drying surface will lift off, leaving the metal bared, ready for the bite of the acid. The plate must be heated before application. The “Pencil Method” consists of drawing with a hard point on “laid” paper applied over the soft ground. The paper sticks to the drawn parts. After the bite of the acid, a pencil stroke effect is obtained.

Lefranc & Bourgeois Charbonnel Lamour Black Covering Varnish

a20791813c082cd61e5b3d_mRecommended for aquatint, Charbonnel Lamour Black Covering Varnish is a popular stop out varnish.

This black varnish dries to a hard, opaque, gloss finish. Its liquid consistency brushes easily. It can be removed with petroleum solvents.

Lefranc & Bourgeois Charbonnel Liquid Sketch Tusche 25ml

lefranc__bourgeoisUse Liquid Tusche in silkscreen or lithography to produce rich, dark lines and solids. Apply it with pen, brush, airbrush, or using a spatter technique.

Liquid Tusche does not reticulate to the same degree as solid tusche.

Lefranc & Bourgeois Charbonnel Liquid Zincographic Ink 75ml

lefranc__bourgeoisSpecial ink for lithography on treated zinc panel.

Flint Oil-Based Printing Ink 100ml

flint oil

Traditional, viscous, smooth, oil based rolling ink.

Dries to a glossy sheen
Print on paper, wood, stretched canvas
Has good coverage and printing properties which can be successfully applied to a variety of different surfaces

View the full colour chart here.

Flint Water-Based Printing Ink 115ml

flint waterA popular high quality printing ink available in water or oil based formulation.

  • Print on paper, card, stretched canvas, wood, metal, plastic, acetate, glass.
  • Has good coverage and printing properties which can be successfully applied to a variety of different surfaces.

View the full colour chart here.

 

Sennelier Oil Pastels

senn oil pastelThe Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments are ground with an inert, non-siccative binding medium that does not oxidise and that has no effect upon either film stability or surface. This base is then mixed with wax (neutral pH). The balance of this mix provides Sennelier oil pastels with a unique unctuousness and a creamy texture that allows for a great deal of freedom in pictorial expression.

The Sennelier oil pastels possess an extraordinarily high pigment content, thus providing them with a high colouring and covering potential, excellent brightness and a high degree of light stability (with the exception of metallic and fluorescent shades).

The remarkable properties of these components, along with their precise dosage, provide Sennelier oil pastels with unique properties, making the brand a world-recognised reference.

View the full colour range here.

 

Montana Caps

Montana-Green-Caps-Set-of-6_lg_XMontana Caps are available in sizes from 1 (ultra skinny) to 6 (ultra wide).

Grafix Frisket Film

frisket filmGrafix Frisket Film is ideal masking agent for airbrushing, retouching, stencils, rubber stamping, and watercolors. Both our Low Tack Friskets are self-adhering, removable and leave no residue.

Available in A4 Packs and 12″x4yd Rolls.

Montana Acrylic Empty Marker

empty-refill-markersThe Montana ACRYLIC EMPTY Marker is a high quality manufactured refillable empty marker. The optimum flow control pump-valve system allows accurate handling and application. The transparent marker bodies allow for easy assesment of remaining marker content. Replacement tips are seperately available. Perfect for use with the new Montana ACRYLIC water based PAINT 25ml. For optimal performance, we recommend using only Montana ACRYLIC Paint Refills with the Empty Markers. Screw left to open!

Available in 0.7, 2mm, 15mm, 30mm and 50mm.

Montana Acrylic Markers

MontanaAcrylicMarkersThe Montana ACRYLIC Marker Fine is a high quality water based paint marker available in 34 vibrant colors and varnish gloss that match to corresponding colors in the Montana GOLD spray paint series.* The highly pigmented paint is light-fast, high covering, water proof and abrassion proof allowing application to almost any surface. The optimum flow control pump-valve system allows accurate handling and application. The transparent marker bodies allow for easy assesment of remaining marker content. Replacement tips are seperately available. The solvent free ACRYLIC Marker range is ACMI approved and carries the AP mark of non-toxicity. Can be used on almost any surface, best results on even surfaces. Ideal for interior use – for exterior use, please use Montana GOLD Varnish for sealing. Make sure to apply only on dry and clean surface

Available in 0.7mm, 2mm, 15mm, 30mm and 50mm.

View the full colour chart here.

Montana GOLD 400ml

Montana GOLD is the perfect tool for all artists and creative workers.

The specially developed Low-pressure system guarantees maximum accuracy to meet the highest requirements while giving professional results!

High-covering and quick-drying acrylic lacquer. Montana GOLD allows for a new level of ease and control when painting with spray cans, with no cracking or color bleaching.

The new Montana GOLD color system has been completely overhauled and optimized by our dedicated team of artists and laboratory experts to make it perfect. With 200 matt acrylic colors and 5 technical sprays possibilities, Montana GOLD offers one of the largest and most concise color range available in spray paint. Montana GOLD can be applied on canvas, wood, concrete, metal, glass or even flexible surfaces. Some existing colors have been replaced and improved, while new colors have been added to optimize color values and achieve a flowing color range

The  low pressure system allows perfect handling. The  level of control that can be achieved with this can has never existed before. The Montana Level Caps were precisely developed for the low pressure system allowing the most even and clean lines with the highest efficiency and accuracy. Spray widths from 0,4cm up to 25cm can be achieved depending on the users skill and experience. For perfect results we recommend the new Level Cap System in combination with Montana GOLD.

View the full colour range here.

 

Montana BLACK 400ml

Montana BLACK is a high-pressure Nitro-Combination based formula. Re-developed with 170 powerful, high covering matte finish colors that can be applied to any surface. The ultimate painting experience with perfect control and handling. Short drying time allows rapid re-application and overlapping with other colors immediately. Non-scented aerosol paint made to the highest quality, health and environmental standards. Montana BLACK spray paint is famous for its quality and reliability. The perfect tool for street art and graffiiti artists. With it’s high pressure valve, Montana BLACK allows users fast application. In combination with the various of Montana caps available, artists will experience a new era of spray painting possibilities. Montana BLACK is weather and winterproof.

The Montana BLACK contains fast painting and layering optimized Nitro-Combination lacquer. The matte finish colors are fast drying and high covering. Only high quality ingredients and best pigments have been used for the development and production of the new Montana BLACK, assuring the highest standard of quality.

Due to the high output of paint and the high pigment load Montana BLACK covers extremely well. In conjunction with the use of Montana spray caps, Montana BLACK enables users to apply the paint to large or small surface areas with accuracy and efficiency.

View full BLACK range here

Conte a Paris Carres Crayon

conte carresInvented in France in 1795 by Nicolas-Jacques Conté especially for drawing and sketching, Conté Crayons are made from a blend of natural pigments, kaolin clay, and graphite. The Conté crayon has been used by many of the world’s greatest artists, including Picasso, Delacroix, and Degas.

The rich, vivid colors of Conté Crayons mix together nicely, and a range of effects can be consistently produced. They are well suited for use on newsprint, bristol, toned paper or heavily grained surfaces. Their rich opacity makes them ideal for work on darker papers and their quality ensures the longevity of drawings. Conté crayons are waxier and much firmer than soft pastels, so they produce little dust and are easy to control.

Sharpen Conté Crayons to a chisel tip with a sanding pad for detailed work or drag them flat on their sides for various shading techniques on large areas. The unique shape allows the sticks to be broken for easier use.

 

Sticks are 2½” long × ¼” square (63 mm × 6 mm).

View the full colour range here.

Conte Pierre Noire Pencils

conte-pierre-noire-close___midThe Conté à Paris “Pierre Noire” pencil is a soft lead with a black that is dense, deep, indelible and matt. It is much appreciated for its use on all types of supports : sketch pad, kraft paper, linen canvas etc.

Recommended for: nudes, landscapes, laying rapid sketches.

Use: with a sharpened lead, the drawing is lively and accurate. With a half-worn lead, the work is more spontaneous and free.

Available in H, HB, B, 2B, 3B.

Conte White Pencils

drawing pencil whiteThe Conté à Paris “White” pencil is mainly used with the lead sharpened, the line is clear and the colour transparent.

Recommended for: Contrasting, softening, lightening values for all types of subjects.

Use: It is the essential complement for all the other pencils, and its main function is to hint on a volume etc. However, it can be used alone on coloured paper, especially black paper.

Conte Sanguine Pencils

sketch pencil sanguineThe colour of the Conté à Paris “Sanguine pencil is a deep “rust” and its lines are easily blended. With a sharpened lead : the drawing is accurate, the colour is transparent and if the work is lightly drawn the Sanguine pencil lets the texture of the paper appear. With a half-worn lead, the opacity increases with the pressure exerted on the pencil.

Recommended for: nudes, its colour recalls that of the skin when highlighted using white. Blending the colour creates the shading.

Use: Sanguine is frequently used in sketching to draw the body. For more complex work, it’s advisable to use Pierre Noire to emphasise the contrast and white pencil to highlight the areas of light on the body.

Pilot Parallel Pens

Untitled-6The Pilot Parallel is a major breakthrough in calligraphy pen design.

The “Parallel Structure” nib consists of two parallel plates, allowing the writer to create much sharper lines than with other calligraphy pens. It can also create gradated colors by transferring ink from one pen nib to another, allowing two different ink colors to then be used from one pen nib. These pens can be used by both right-handed and left-handed individuals.

Parallel Pens are available in 1.5mm, 2.4mm 5.6mm and 6mm widths.

Refills are available in black and assorted colours (the assorted refill pack contains one each of Black, Blue/Black, Sepia, Violet, Blue, Turquoise, Green, Light Green, Yellow, Orange, Red, and Pink).

William Mitchell Round Hand Calligraphy Nibs

51000480_SFounded in 1825 in Birmingham by John and William Mitchell. Today William Mitchell still manufactures an important range of high quality writing tools. They are not intended for beginners as their steel is more supple than other makers’. The most famous of their range being Round Hand with their many small sizes, square cut and left oblique, used everyday by British professional calligraphers.

Available in #0 (3.7mm), #1 (3.0mm), #1.5 (2.4mm), #2 (1.9mm), #2.5 (1.5mm), #3 (1.2mm), #3.5 (1mm), #4 (0.8mm), #5 (0.6mm), #6 (0.5mm).

Brause Nibs

Brause_Bandzug_nibsFor more than 100 years, Brause Calligraphy Nibs have been considered by many calligraphers to be among the best on the market.

Offering a subtle balance between relative elasticity for easier writing, and the resistance necessary for clear strokes, Brause Nibs are manufactured from cold rolled steel and pressed with tools specific to each model and nib size. The most delicate part of the manufacturing process involves cutting a slit down the middle of the nib, enabling the ink to flow correctly and freely from the reservoir to the tip of the nib.

Available in sizes 0.5mm, 1mm, 1.5mm, 2mm, 2.5mm, 3mm, 4mm and 5mm.

Brause Nib Holder

Untitled-4This single-ended wood nib holder has a round shape and holds one nib. Three finishes; Natural Wood, Coloured and Marbelised.

Speedball Dip Pen Nib Holders

Untitled-5Available in Crow Quill and Fine Point. Crow quill pens have a cylindrical body that only fit a crow quill nib, which generally draws finer lines than a standard nib.

#102 Holder: This durable plastic holder is 5″ long and fits crow quill nibs #102, #107, and #108.

#104 Holder: Durable plastic holder is 5″ long and fits fine nibs #100, #103 and #104.

Hunt #513EF Drawing Nib

1083_2052_largeExtra fine bowl pointed nib. Used for industrial drawing.

Hunt # 512 Drawing Nib

1082_2051_thumbBowl pointed fine pen for ruling and lettering.

Hunt #56 Drawing Nib

1079_2040_largeThe Hunt 56 nib is useful for writing larger letters on smooth or textured papers. The nib is a steady and durable one making it a great nib for beginners. The Hunt 56 produces healthy swells of ink when firm and deliberate pressure is applied. Strong hairlines.

Hunt #22B Drawing Nib

577_2045_largeGood flexibility – not too flexible, not too stiff. Very thin hairlines and good swells. Works for scripts 3/16″-1/16″. Sharp point, but will work on slightly textured surfaces. Tends to catch on upstrokes. Satisfactory for Spencerian Script.

Hunt #108 Drawing Nib

1078_2035_largeThe #108 can produce super fine hairlines, and also nice wide shades with light pressure. It also has a surprisingly large ink holding ability and isn’t as scratchy as some other superfine nibs. It works best on very smooth paper.

Hunt #107 Drawing Nib

Hawk_Crow_Quill__4e84aae9a260aSuperfine point, stiffer than 102, very durable. For long, even lines and cross-hatching details.

Hunt #104 Drawing Nib

1070_2058_largeCan produce some of the very finest hairlines of any modern nib, yet with hardly any scratchiness.  Although only modest width shades are possible with this small, rather stiff nib, shades are smooth and pleasing.

Hunt #103 Drawing Nib

1077_2034_largeThe Hunt 103 is a small, flexible, and delicate nib. As it has a tendency to catch on a more textured surface, it is recommended for use on smooth papers and to be handled with an extremely light and sensitive touch. However, this nib is resilient on down strokes springing back into shape if moderate pressure is used. It has a similar feel to the Hunt 100 nib, except that it is larger, more flexible and less fragile than the 100. Suitable for writing at x-heights of 1/8″ or less.

Hunt #102 Drawing Nib

2308_2321_largeAmerica’s most popular art pen. Superfine and flexible.

Hunt #101 Drawing Nib

1076_2033_largeA very steady and durable nib, the Hunt 101 is a great choice for projects that require larger writing with x-heights above 1/4″. It can be used on most paper surfaces, though it can have a tendency to catch on the upstroke when used on a rougher surface. The Hunt 101 requires firm and deliberate pressure to open swells, while its strength and steadiness makes it an ideal selection for student practice.

Hunt #100 Drawing Nib

1081_2043_largeThe Hunt 100 is a small, flexible, and delicate nib. As it has a tendency to catch on a more textured surface, it is recommended for use on smooth papers and are to be handled with an extremely light and sensitive touch. However, this nib is resilient on down strokes, springing back into shape if moderate pressure is used. Suitable for writing at x-heights of 1/8″ or less.

Hunt #99 Drawing Nib

1080_2042_largeAn extremely flexible nib, the Hunt 99, is can be used on smooth papers to create very large and bold text. A light touch is all that is needed to produce thick swells while the nib glides effortlessly across the paper. It is suitable for script with x-heights down to around 3/16″. Fairly strong hairlines comparable to Hunt 101.

Winsor & Newton Artisan Water Mixable Oils 37ml

Untitled-5Artisan Water Mixable Oil Colour has been specifically developed to appear and work just like conventional oil colour.   

The key difference between Artisan and conventional oils is its ability to thin and clean up with water.  Hazardous solvents are not necessary for Artisan and artists can enjoy a safer painting environment, making it ideal for artists who share a work space, schools or painting at home. 

 

 

 

 

 

 

 

View the full range of colours here.

DAS Field Sketch Board

Untitled-23Basic Field Sketch Board, light weight particle board with attached clip.

Available in A3 and A2.

Markal Artists Paintstiks

markel oilMarkal Artists Paintstiks are real oil paint in stick form.  They are made from highly refined drying oils blended with the finest pigments and molded into sticks. Application of the stick to the painting surface liquifies the Painstick at the point of contact.An effective medium to explore shape, composition and color in the studio or on field trips.

Markal Artists Paintstiks can be used without palettes, mixing cups, brushes or turpentine. They can be applied and blended in nearly infinite color variations with the finger, a paintbrush, or palette knife. The sticks are completely compatible and can be varnished, over painted or worked over with a complete range of varnishes or conventional oil paints.

Conte Sepia Pencils

drawing pencil sepiaThe colour of the Conté à Paris “Sepia” pencil is reminiscent of burnt umber. This pencil shades easily. With a sharpened lead, you achieve an accurate and delicate finish. With a half-worn lead, the finish becomes more opaque as the pressure exerted on the pencil increases.

Recommended for: 
– Rough sketches
– Nudes : enables the most contrasted parts of the body to be shaded
– Portraits : emphasises and highlights the value of a face
– Landscapes : intantly gives the colour of a tree trunk or the facade of a house.

Use: it can be used sparingly on its own but it can be blended with the Sanguine, White, Charcoal or Pierre Noire pencils for a more complex finish.

Rembrandt Soft Pastels

rembrandt soft pastelsRembrandt soft pastels are aimed at the very high standards of the professional artist and the amateur aspiring to perfection. The pastels are made from the purest pigments mixed with the finest quality kaolin.

Rembrandt soft pastels have for years been the most popularartists’ pastels in the world. Rembrandt pastels have a number of characteristics and unique features including the perfect degree of softness. They are so soft that a large amount of colour is immediately released, and yet hard enough not to powder quickly.

The very high colour intensity and purity ensure that each piece of work has a brilliant finish. No pigments containing heavy metals are used, such as cadmium, lead and cobalt, in the production of Rembrandt soft pastels.

View the full colour range here.

Staedtler Mars Plastic 526 50 Eraser

144449Premium quality for first-class erasing performance. Minimal crumbling. Protective cellophane wrapper with practical tear-and-open strip. Sliding sleeve for convenient handling. Phthalate and latex free. Absolutely age-resistant. Best erasing performance with little wear. No discolouration of the eraser on paper.

Sennelier Pencil and Charcoal Fixative 400g

Untitled-7“Delacroix” Pencil and Charcoal Fixative – The perfect formulation to seal and protect graphite and charcoal. This clear, non-yellowing spray is heavier than “Latour” spray so as to completely protect against smearing.

Derwent Sandpaper Block

derwent-sandpaper-block-220px-220pxIf you want to create an angle on your pencil point or drawing stick, this block of ultra fine sandpaper is the easy way to do it. Simply rub the point or stick across the top layer of sandpaper to create a smooth, even finish at the exact angle required. This technique can also be used to drop pigment onto a wetted area of artwork, especially good for creating sand or stone effects

NAM Workable Fixative 400g

Untitled-8This clear, matte fixative is easy to work with, dries in seconds, and doesn’t wrinkle, smudge, or smear. This fixative gives lasting protection to pencil, charcoal, and chalk, yet erases easily.

Caran d’Ache Neocolor I

1These water-resistant wax pastels are soft and easy to work with. They feature exceptional covering power, excellent lightfastness, and are great for underpainting. Their hardness allows them to be sharpened more easily for detail and edge work.

Crayons are soluble in mineral spirits for wash techniques.

Each stick is 3/8″ diameter × 4″ long (10 mm × 102 mm).

View the full colour range here.

Van Gogh 10ml Watercolour tubes

Van Gogh watercolours are a student and artist level range of paints featuring brilliant, transparent, and intense colours with high tinting strength.

Most colours are rated with the highest degree of lightfastness +++ (100+ years under museum conditions) with a few colours rated just one step below at ++ (25-100 years under museum conditions).

Thanks to the purity and uniform viscosity, these watercolours are easy to work with and easy to mix.

Proudly produced in Holland with stringent quality control for a consistent experience with every purchase.

For a full colour range, click here

Caran d’Ache Neocolor II

2The quality of Neocolor II Aquarelle Artists’ Crayons is universally acknowledged. Their excellent lightfastness, high pigment concentration, and adaptability to a variety of techniques have put them in a class of their own.

Neocolor II Crayons are softer than colored pencils, denser than children’s wax crayons, and extremely responsive to a wet brush. Wet and dry techniques can be combined in the same drawing. Because of their strong pigmentation, light colors cover dark colors and vice-versa.

Neocolors are soft enough to smudge with your fingertips, yet much firmer than oil pastels. Scrape off one or more layers of color to create an engraved sgraffito effect. They can also be combined with Caran d’Ache Pablo Colored Pencils. Best of all, they’re watersoluble.

Individual Neocolor II Crayons measure 105 mm long × 10 mm diameter(4-1/8″ × 5/16″).

View the full colour range here.

Derwent Pastel Pencils

pastel pencilNothing beats the colourful brilliance of pastels but they’re not the cleanest medium to use. Now you can enjoy all the beauty of pastel in a convenient, non-messy form. These wood cased Pastel Pencils have a soft, powdery texture which produces a velvety smooth finish, ideal for mixing and blending. And because they’re pencils, they’re clean and easy to control although you may not be able to resist the occasional smudge with your finger!

Available individually, limited stock left.

Derwent Coloursoft Pencils

coloursoftThe softest of pencils but in a strong and vibrant range. The velvety softness of the core releases rich, dense colour at a stroke and is perfect for mixing and blending. Despite its soft texture, Coloursoft sharpens to a fine point and works equally well for detailed illustrations or bold, contemporary still-life drawings and portraiture.

Available individually, limited stock left.

Derwent Inktense Pencils

inktensePen and ink offers strong, intense colour combined with a translucent effect. Now you can enjoy these distinctive qualities in an easy to use pencil. Inktense has a highly blendable texture. Apply pure, vibrant dry colour then wash the pigment out completely to leave an ink-like effect. Once dry, the colour is permanent and can be worked over with other media. The possibilities are endless, the results stunning.

Inktense pencils can be used on fabric to create interesting silk paintings and unique quilting projects.

Available individually, limited stock left.

Coates Willow Charcoal

20072-5000-1-2ww-mPercy Coate, the developer of Coates Willow Charcoal, began experimenting in the 1960s with the willow he grew to make drawing charcoal. Following in the steps of his grandfather, Robert Coate, who bought and sold local willow crops beginning in 1819, Percy Coate worked on his technique for a number of years before perfecting it. By the 1970s, he was finally ready to share Coates Willow Charcoal with the world.

Today Coates is still very much a family business, with family members involved in all aspects of the operation.

The willow plant used for making artist charcoal grows very quickly, ready for use after only one growing season. The process that turns raw willow sticks into willow charcoal, a simple yet indispensable tool for fine artists, takes three days. For many years, Coates Willow Charcoal has been recognized as thebest-quality charcoal in the world.

Available in Thin, Thick and Extra Thick.

General’s Peel and Sketch

peel and sketchA sharpener is not necessary for General’s Peel and Sketch Charcoal. Just slowly pull a string to peel away paper and reveal more charcoal! The black, velvety smooth charcoal works great for creating quick sketches and drawings.

There are three assorted degrees of charcoal: soft, medium, and hard.

Also available in a set of three with a kneadable eraser.

Charcoal Powder 100g

coconut-shell-charcoal-powder-777445Charcoal Powder is suitable for large-surface drawings, 3D working and working out of light and shadow.
Can also be mixed with water and a binding agent.
Use a particle mask when using powders.

Graphite Powder 100g

Graphite_PowderGraphite Powder is suitable for large-surface drawings, 3D working and working out of light and shadow.
Can also be mixed with water and a binding agent.
Use a particle mask when using powders.

Masters Studio Easel

masters studio easelDimensions:  65 x 70 x 204 cm

Max canvas height: up to 207 cm (81″)

Weight: 23 kg (51 lbs)

 

Hand crafted from beautiful oil stained beech wood.

Your studio is both a work place and a place to play with ideas. This easel allows you to explore new ideas and techniques and is one very serious easel when you really get down to painting. It employs both a front telescoping brace and rear telescoping legs. This allows the easel to be fully supported in a huge range of angles from flat to vertical. Unlike former models of this kind of easel the front brace provides rigid support when you want the easel to be used as a table. The easel also allows you to paint at a forward angle to eliminate glare and assist in pastel painting.

Beech Wood Studio Easel

Untitled-1Dimensions: 55×52 cm (21″ x 20″)

Height: 136 cm (53″), maximum: 237 cm (93″)

Max canvas height: 120 cm (48″)

 

A strongly constructed adjustable ratchet studio easel. The base can be folded flat. Made from oiled beech wood.

Adjustable Lyre Easel

JAS-Lyre-Studio-Easel_1469100

Dimensions: 220 x 57 x 69 cm (86″x22″x27″)

Height: 220 cm (86″)

Max canvas height: up to 127 cm (50″)

 

The Adjustable Lyre easel is a large scale, economical easel made from elm wood. It is perfect for studio use and holds canvasses up to 127 cm. It provides a sturdy support for both painting or display.

The easel has a locking ratchet mechanism for easy height adjustment. It folds flat, is boxed for shipping and is easy to assemble.

FOME Steel Field Easel

classic-metal-portable-display-easel-93-pDimensions: 7.5×9.5×88.5 cm (3″x4″x35″)

Max canvas size: 70 cm (27″)

Weight: 2.3 Kg (5 lbs)

 

Sturdy metal field easel by Fome of Italy. This easel is superb quality from one of Italy’s best metal easel makers and offers strength and stability.

Box Table Easel

das box table easelAdjustable 90 degree angle solid Box Table sketching easel with side access storage drawer.

Adjust above and below table edge.

Zig Kurecolour Markers

Untitled-21Broad (6.5 mm) and fine (1 mm) tip, professional quality graphic markers with permanent, alcohol-based, low odor, Xylene free ink.

ZIG Kurecolor is a system designed for use by graphic designers and professional artists. With it’s vast choice of 118 colors you can create endless styles of artwork. They are divided into 9 color groups (12 colors per group). They are Basic, Brilliant, Natural, Dull, Pale, Deep, Grey Colors, Cool Greys, Warm Grays. Each marker is color coded on the barrel and on the cap, making the color you want easy to find without wasting time!

Replacement tips available in 9 sizes (2mm Calligraphy, Fine, Plastic Fine, 2mm Fine, Broad, Soft Broad, 6mm Calligraphy, Round)

View the full colour chart here.

Zig Art & Graphic Twin Markers

16360x300Ideal for design, illustration, watercolor, sketching, rubber stamping, and cardmaking, these versatile double-ended markers can be used for both professional and hobby applications.

Zig Art & Graphic Twin Markers are filled with a waterbased dye that is odorless and xylene-free. The flexible rubber brush tip creates a variety of line and stroke sizes, while maintaining its spring and shape without fraying. The fine-point(0.8 mm) fiber tip is ideal for detail work, sketching, or finishing touches.

The colors blend easily and can be diluted with a Blender.

View a full colour chart here.

Kuretake Fudegokochi Brush Pen

kuretakeSuper fine point felt tipped brush pen perfect for calligraphy, lettering and drawing. Great for a variety of different line thicknesses.

Clairefontaine Age Bag Cloth Bound Books 90gsm

notemaker-brand-clairefontaine_1Bright white, satined paper, wood free, 90 g/m², rounded corners, cloth tape binding, sturdy manilla cardboard cover with leather texture, linen spine.

Available in blank and lined, and in colours of Black, Tan, Red and Green.

Decomposition Notebooks 90gsm

3804_decomposition_books_assd_600Manufactured from recycled materials and printed with soy inks. Fully biodegradable. Ruled pages.

Available in a variety of patterns and in A5 and A4 sizes.

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